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ANTI><GONE
Pemieres: 31/ 01 / Â 2026Â
Main Stage, TurteaternÂ
Stockholm
Theatre
Concept & Direction Juliann Louise Larsen
Scenography & Costume Design  Gustav Hedengren
Wig, mask and Costume Design Ă
sa Horokova
Light Design Nora
Sound Design & Music Astrid Risberg
DramaturgÂ
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SCENX
Pemieres May 2026Â
Stockholm
Theatre
Playwrite Raoul Ek
Direction Juliann Louise Larsen
Scenography & Light Design  Dario Samardzic
Wig & Mask Design Ă
sa Horokova
Costume Design  Molly Skorpen
Sound Design & Music Astrid Risberg
NEMESIS
Premiered 28/11/ 2025
Lejonkulan UNGA DRAMATEN
The Royal Dramatic Theatre
Stockholm
Theatre
Age 10- 14
An internship as part of my education at Stockholm University of The Arts
Written by Hanna Nygren, Helle Rossing
Direction Helle Rossing
Scenography & Costume Design  Siri Areyuna Wilhelmsson
Wig & mask design Linda Hyllengren
Light Design Sofie Gynning
Sound Design Astrid Risberg (Intern from Stockholm University of The Arts)
Dramaturg Ellen Knutas
Sv: Grekisk mytologi möter dagens internetkultur i en pjÀs om hÀmnd, rÀttvisa och radikalisering. En maximalistisk, magisk och vÄldsam resa genom nutid och evighet, mellan internettroll och helveteshundar, skolgÄrdsbrÄk och den djupaste blodshÀmnd.
Eng: Greek mythology meets today's internet culture in a play about revenge, justice and radicalization. A maximalist, magical and violent journey through the present and eternity, between internet trolls and hellhounds, schoolyard brawls and the deepest blood feud.
Sv: â Framför allt Ă€r samspelet mellan skĂ„despelare, ljud och ljus bĂ„de tajt och maxat, och lyckas med de överteatraliska replikerna hĂ„lla en mellanstadieklass â generation Tiktok hĂ€nförd i 80 minuterâ
- Expressen
Eng: âAbove all, the interaction between actors, lights and lighting is both tight and maximized, and with the over-theatrical lines, manages to keep a middle school class â generation Tiktok â captivated for 80 minutesâ
- Expressen, magazine
FRANKENSTEIN (HISTORY OF HATE) MOTUS
Premiered Oktober 2025 at Roma Europa
Rome, Italy
Theatre
Internship as part of education at Stockholm University of The Arts
Idea  & Direction Daniela NicolĂČ & Enrico Casagrande
With Tomiwa Samson Segun Aina, Yuan Hu, Enrico Casagrande, Silvia Calderoni & Alexia Sarantopoulou
Assistant directors Astrid Risberg and Juliann Louise Larsen
Video shooting and editing for the stage Vladimir Bertozzi Video assistant Isabella Marino
Video sound recordings Astrid Risberg
Soundscapes Demetrio Cecchitelli
Set and costumes Daniela NicolĂČ & Enrico Casagrande Technical direction and sound Martina CiavattaÂ
Light design and video Simona Gallo
Light technician Theo Longuemare
Production Elena MarinelliÂ
Organization and logistics Shaila Chenet and Alessandro PatriniÂ
Promotion Ilaria Depari and Beatrice OttavianiÂ
International distribution Lisa Gilardino
Communications Dea VodopiÂ
Press UC studio
Graphic design Federico Magli
A production by Motus in collaboration with Emilia Romagna Teatro ERT / National Theatre, Teatro Nazionale di Genova, Snaporazverein (CH), and Romaeuropa Festival artistic residencies hosted by AMAT & Comune di Fabriano, Sardegna Teatro, and IRA Institute
A monstrous project made up of stitched-together episodes and driven by the desire to bring the inanimate back to lifeâgalvanizing it, breaking it apart and reassembling its literary pieces.
A project about Frankenstein that is, itself, (a) Frankenstein.
PSYKOPOMPERNA
Premiered May 2025
At Stockholm University of the Arts
Age 10- 14
Theatre
Direction Erik Forsström
With Mime-actors Merete Lindholm, Arvid Westberg and Sofia KĂ€llman
Scenography  Gustav Hedengren
Costume Design Elsa Pellas
Wig & mask design Josefin Swahn Light Design Joakim Alström Sound Design Astrid Risberg
Dramaturg & monologues Siri Lindblom
Ett badhus som Ă€r en krypta. Kakel som talar. Tre fĂ„glar, strandsatta i mĂ€nniskornas sorg. âPsykopompernaâ Ă€r en magisk, poetisk och brutal saga. En berĂ€ttelse om ett badhus med en egen sjĂ€l, om pappor och om viljan att bli sedd.
CRAFTING BODIES
Premiered April 2025
SITE/Specific Festival 2025
Site
SwedenChoreography Filippa Fahlin
Performed by dancers Alicia Karhunen Larsson & Filippa Fahlin
Live Music / Sound Design Yari Blue/Astrid Risberg
Crafting Bodies Àr ett möte mellan dans, koreografi och textilt handarbete. Crafting Bodies Àr ett pÄgÄende undersökande, och visades i en första "runda" pÄ SITE/Specific festival 2025 dÀr det framfördes av Filippa Fahlin, och Alicia Karhunen Larsson tillsammans med musikern Astrid Risberg/Yari Blue.
Projektet undersöker hur materialiteten i det textila kan speglas i och genom rörelser som utgÄr ifrÄn kroppens vÀvnader och nervsystem. Publiken bjuds in att sticka tillsammans promenera ett varv tillsammans med dansarna, dÀr vi nystar i begrepp som relationalitet, nÀrvaro, skapande och gemenskapande. Crafting Bodies undersöker spÀnning mellan abstraktion och aktion, mellan subjekt och objekt, och alltings sköra sammanhÄllning. I verket fÄr publiken vara i stÀndig rörelse, dÀr dansarna rör sig runtomkring.
BOLD LOVERS
HEARTCORE COLLECTIVE
Premiered in March 2025Â
At Stockholm University of the Arts
Interdiciplinary dance performanceChoreography and concept Sarah Hanses
Performed by Sarah Hanses Emiko Ophei and Astrid Risberg
Music & Sound Composition Astrid Risberg / Yari Blue
Mask Design Josefin SwahnÂ
Artistic Supervision Performance Shirley Harthey Ubilla
Artistic Supervision Costume Hanna Kisch
In Collaboration with MDT / Modern Dance Theatre Sweden
An interdisciplinary performance where desire, connection, and intimacy are as political as seductive. A two headed alligator monster appears as two dancers who meet another, all hunting pleasure and connection, equally vonerable as heartcore, present in live music.
LĂ
NGT BORT
eng: FAR AWAY
BY OK24
Premiered in december 2024
TEATER TRIBUNALEN
 Stockholm
Age 12+
Theatre
Playwright RAOUL EK
Direction JULIANN LOUISE LARSEN
Sound Design & Composition ASTRID RISBERG & KLAS HASSELROT
Scenography & Costune Design GUSTAV HEDENGREN
Costume- & Mask Design Ă
SA HORĂKOVĂ
Light Design IDA WENGER
Photography DANIEL PEHRSON
Producer ADAM NEUMAN
SV:Â
Ska man se ett krig och inte göra nÄgonting?
ska man bli inblandad i ett krig som man inte vill ha med att göra?
En förestÀllning om maskulinitet, krig och det som Àr overkligt lÄngt bort.En 45 minuter lÄng förestÀllning om att vilja göra det som Àr rÀtt
Eng: A performance about two brothers; one willing to go to war to protect âSwedish valuesâ and borders, the other completely opposed to even the idea of military as a way to protect a nation and itâs âvaluesâ, convinced that warfare only created more war, never near peace.
& AS I WAS DISSOLVING
Premiered in March 2025
Stockholm University of The Arts
Audio- visual dance performanceWith  Andrew Girard, Sigrid Rodian Julie Elisabeth Villumsen & Elena Zoffia Â
Light Design Johanna Svensson
Sound Design, Music Composition & Â performance Astrid Risberg
This audiovisual dance performance explores intimacy through shifting in pysical and emotional space and proximity. Bodies approach and withdraw as tides do, revealing intimacy as a fragile, dynamic negotiation. Connection is sensed, lost and re-discovered.
HELVETET ĂR DU
(& JAG) ENG: HELL = YOU (& I)
Premiered 7/11/2024
At Stockholm University of the Arts
 On-Stage Sofia KĂ€llman (mime SKH), Ludvig Joelson ( mime SKH) & Astrid Risberg  (Performing arts SKH)Â
Playwrite Raoul Ek & Sten Dellson
Mask & wig design Althe Jitelius Franconeri
Scenography Erik Porne
Composition & sounddesign Astrid Risberg
Direction Lukas Schottenius
Costume design Molly Skorpen
Light Design Joakim AhlströmÂ
Producer Sten Dellson
HELVETET ĂR JAG (& DU) was the result of our collaborative project during the course Extended Performing Arts and was created useing the working method "tuta och köra"âa method that basically means- donât doubt, just create. In three weeks we made a musical inspired by and created for the expanded performing arts field at Stockholm University of the Arts. Socially, economically, and stylistically, all content is deadly serious and, of course, means something entirely different than what is said.
THE ERROTIC CLOWN
SMASH COLLECTIVE
Premiered Febuary 2024
KONTRĂR
Stockholm
SEPIDEH KHODARAHMI - Choreography & Direction
With  ANNIKA B. LEWIS, MARIA AF KLINTBERG & MARIA NAIDUÂ
ELINE JACOBSSON - Light Design
NEDA SANAI- Main Composition
ASTRID RISBERG, CHARLIE POUSETTE, NIKI BLOMBERG- Sound Design and Technology
LAURI LOHI & REBECCA ERIKSSON, with assistance HERKULES JANSSON - Costume and Scenography
LAURI LOHI- Producer
A production made in collaboration with KONTRĂR
For six years, Sepideh Khodarahmi has been touring with- and exploring her "cake-sitting" practice; a sensory performance work in which she constructs, seduces, and sits on a cake. A performance that blends disgust, humor, and seduction in equal parts, and above all, a practice that allows eroticism to take on new forms and articulations. Based on this extensive research, she is now creating her first group work, SMASH COLLECTIVE â The Erotic Clown, together with dancers Maria Naidu, Maria af Klintberg, and Annika B Lewis.
In SMASH COLLECTIVE â The Erotic Clown, the erotic potential of destruction is at the center. Through a haze of heavy bass and club music, the dancers move in a pulsating universe of decadent pleasure. Sensual choreography is mixed with drag techniques, humor, and club dance, forming erotic rituals. Carefully constructed rites driven by the dancers' individual desires and longings. A playful laboratory emergesâ a mapping of the choreography of destruction and seduction, with a wink of the eye.
A performance focused on the erotic potential of destruction. Blending errotic- violent and tender choreography, drag and the vulgar with the intensity of a queer club at 5am and the intesity of resting on your couch when you have decided to skip your plans.
RĂDDAD/HYPOTES
Premiered January 2023
At
Stockholm University of the ArtsWith IVAR FORSLING & ANNETTE SALLMANDER Direction JULIANN LOUISE LARSENÂ
Producer
STEN DELLSONÂ
Scenography
REBECCA ERIKSSON Drama & Dramaturg KRISTINE BRUSDALÂ
Sound Design & Music
ASTRID RISBERGÂ
Light Design
JOAKIM AHLSTRĂM
Costume
Design MATHILDA MERCURYÂ
Mask and Wig Design JOSEFIN SWAHN
Production Technical Coordinator HUGO LOURENCO
A mix of Alfhild Agrellâs âRĂ€ddadâ and a new piece âHypotesâ by playwright Kristen Brusedal exploring breaking free from the social roles we are in.